Back to work

After a hiatus spent pursuing a secondary certification in history, I'm back in the studio with a lot of ideas to try out.

Here is the first of many that will involve various intaglio techniques along with woodblock relief and reduction.

 The printed image area is 1"w x 1.5"h. It will be printed separately and chine colled onto the intaglio plate when it is printed.

A rough proof of the finished print. Now to work on the plate tone with some aquatinting.

 I use flat black spray paint in lieu of rosin to execute aquatinting.

I use copper sulfate as my etching medium. It's cheaper than nitric or ferric chloride, and is safer as the only fumes that are released as a by-product during the etching process is hydrogen.

And now scrape and polish the plate to control the plate tones. Using drypoint and engraving I coax the features of the figure that I want to standout.

This is about ready for a final proof on good paper with all the elements. Stay tuned.